“There is something magic and electric in the simple fact of choosing a subject (a place, a moment, an event, a person, things, stones, trees) and working around them, into them, picture by picture. Is it an illusion, or am I right to feel that you have only really seen something when you have fully, lovingly, sensually photographed it?” Thus spoke Fosco Maraini a photographer and ethnographer extraordinaire. Marko makes painstaking photographic studies of empty bus stops on the route of the Bus No. 6 in Edmonton using medium and large format cameras, B&W film, and enlarging to vintage graded...
Trained as a gemologist, filmmaker and anthropologist Bapa Jhala assembles a mobile sculpture called ‘Breathings’ that are composed of feathers, quills, shells, seeds, gemstones and other organic and found materials. The mobility and velocity comes from air volumes being moved by the moments of persons in confined spaces. Longevity of motion is sustained by the continuum of gravity. Movement makes the invisible visible. The association of obits and stillness with meditative practices confers the idea that dynamic action resides in perceived inaction.
Ethnographic Terminalia first exhibition was a group exhibition of installation works that showed at the Ice Box gallery(Crane Arts, Philadelphia) in December 2009. The Ice Box is billed as one of Philadelphia’s largest art venues.