The Schizophonic Archive is comprised of three interrelated projects exploring recorded sound, residual media, and archives.
Stairwell: Lina Dib with Navid Navab
Schizo-Phone: Craig Campbell with Katie Van Winkle, Julián Etienne, Juan Pablo González, Vasilina Orlova, Nora Tyeklar, Tamara Becerra Valdez and Hallie Boas
Radio Sets: Tom Miller with David Goren
“Modern memory is, above all, archival. It relies entirely on the materiality of the trace…” Pierre Nora
Schizophonia, def. The separation of sounds from their sources
The Schizophonic Archives highlight the roles machines play in making the ephemeral tangible and repeatable. Within the Bureau of Memories you will find a number of listening stations marked with the Schizophonic Archives icon:
At these stations you can listen through radios, telephones, and sensors to transient fragments culled from a vast ocean of ethnographic and other sound archives. There are three components to the Schizophonic Archive:
The accompanying guidebooks include information, images, and enigmas related to the polyphonic traces of voices, machines, and static flickering across the soundscape of the Bureau of Memories.
We would like to recognize Conaculta’s Fonoteca Nacional for permission to use materials from their archive.
Radio
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The Bureau of Memories: Archives and Ephemera is a thematic reflection on the archive and its discontents. Washington’s identity as the seat of American political power is amplified through its role as the locus of its own memorialization. Where there is history, there is haunting. By drawing on the archive’s unnerving, uncanny, and ephemeral specters, this exhibition is an effort to re-imagine and reposition archives as sites which not only have the capacity to produce and contest historical memory, but also generate significant gaps and blind spots.